Camere da Letto - Foto e idee per arredare
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J.S. Brown & Co.
Master suite remodel with bathroom.
Immagine di una grande camera matrimoniale chic con pareti bianche, moquette, camino classico, cornice del camino in mattoni e pavimento grigio
Immagine di una grande camera matrimoniale chic con pareti bianche, moquette, camino classico, cornice del camino in mattoni e pavimento grigio
Cour Interior Design
This large ground floor bedroom has only one easterly facing window, so after lunchtime it lacks natural daylight and feels dark. A complete overhall was required, and the client gave the designer free rein, with a brief that it should be restful and pretty, yet chic without being overtly bling. The colours of a subtle blush pink for the walls and grey flooring were agreed upon and it was noted that for now the existing sofa and bed would be retained.
A new herringbone Karndene floor with statement design edge had been installed in the hallway by Global Flooring Studio so this was continued unto the room to add to the flow of the home. A bespoke set of wardrobes was commissioned from Simply Bespoke Interiors with the internal surfaces matching the flooring for a touch of class. These were given the signature height of a Corbridge Interior Design set of wardrobes, to maximise on storage and impact, with the usual LED lighting installed behind the cornice edge to cast a glow across the ceiling.
White shutters from Shuttercraft Newcastle (with complete blackout mechanisms) were incorporated give privacy, as well as a peaceful feel to the room when next to the blush paint and Muraspec wallpaper. New full length Florence radiators were selected for their traditional style with modern lines, plus their height in the room was befitting a very high ceiling, both visually next to the shutters and for the BTU output.
Ceiling roses, rings and coving were put up, with the ceiling being given our favoured design treatment of continuing the paint onto the surface while picking out the plasterwork in white. The pieces de resistence are the dimmable crystal chandeliers, from Cotterell & Co: They are big, modern and not overly bling, but ooze both style and class immeasurably, as the outwardly growing U shaped crystals spiral in sleek lines to create sculpted works of art which also scatter light in a striated manner over the ceiling.
Pink and Grey soft furnishings finish the setting, together with some floating shelves painted in the same colour as the walls, so focus is drawn to the owner's possessions. Some chosen artwork is as yet to be incorporated.
Cour Interior Design
This large ground floor bedroom has only one easterly facing window, so after lunchtime it lacks natural daylight and feels dark. A complete overhall was required, and the client gave the designer free rein, with a brief that it should be restful and pretty, yet chic without being overtly bling. The colours of a subtle blush pink for the walls and grey flooring were agreed upon and it was noted that for now the existing sofa and bed would be retained.
A new herringbone Karndene floor with statement design edge had been installed in the hallway by Global Flooring Studio so this was continued unto the room to add to the flow of the home. A bespoke set of wardrobes was commissioned from Simply Bespoke Interiors with the internal surfaces matching the flooring for a touch of class. These were given the signature height of a Corbridge Interior Design set of wardrobes, to maximise on storage and impact, with the usual LED lighting installed behind the cornice edge to cast a glow across the ceiling.
White shutters from Shuttercraft Newcastle (with complete blackout mechanisms) were incorporated give privacy, as well as a peaceful feel to the room when next to the blush paint and Muraspec wallpaper. New full length Florence radiators were selected for their traditional style with modern lines, plus their height in the room was befitting a very high ceiling, both visually next to the shutters and for the BTU output.
Ceiling roses, rings and coving were put up, with the ceiling being given our favoured design treatment of continuing the paint onto the surface while picking out the plasterwork in white. The pieces de resistence are the dimmable crystal chandeliers, from Cotterell & Co: They are big, modern and not overly bling, but ooze both style and class immeasurably, as the outwardly growing U shaped crystals spiral in sleek lines to create sculpted works of art which also scatter light in a striated manner over the ceiling.
Pink and Grey soft furnishings finish the setting, together with some floating shelves painted in the same colour as the walls, so focus is drawn to the owner's possessions. Some chosen artwork is as yet to be incorporated.
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Ann Lowengart Interiors
This 1930's San Anselmo bungalow is the perfect couple's retreat for weekends away from the city. Touches of playful pattern combined with sand and sea hues reflect the surrounding natural environment. The subdued palette creates a tranquil paradise making this cozy home the perfect escape.
Architecture Saville Isaacs
Interior - Bedroom
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Degnan Design-Build-Remodel
After presenting the various options, the choice was made to locate the master suite on the second floor. We carefully evaluated bedroom suite designs which were small, medium, and large.
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Hope Lucia Design
Foto di una camera da letto scandinava con pareti rosa, moquette, nessun camino e pavimento grigio
Atmosphères - Home Staging Umbria
Ph. Muriel Plombin
Immagine di una camera matrimoniale stile rurale di medie dimensioni con pareti verdi e pavimento in gres porcellanato
Immagine di una camera matrimoniale stile rurale di medie dimensioni con pareti verdi e pavimento in gres porcellanato
ETB Homes
Immagine di una camera da letto country con pareti bianche, pavimento in legno massello medio e pavimento marrone
Studio McGee
Idee per una grande camera degli ospiti stile marino con pareti bianche, moquette, nessun camino e pavimento grigio
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diseia
Esempio di una camera degli ospiti stile rurale di medie dimensioni con pareti blu e pavimento marrone
Mary Hannah Interiors
Photographed by Robert Radifera Photography
Styled and Produced by Stylish Productions
Immagine di una camera matrimoniale di medie dimensioni con pareti grigie, pavimento in legno massello medio e pavimento rosso
Immagine di una camera matrimoniale di medie dimensioni con pareti grigie, pavimento in legno massello medio e pavimento rosso
LMK Interiors
Farmhouse in Barn Red with White Oak floors, Benjamin Moore Revere Pewter walls, custom furniture
Idee per una grande camera matrimoniale country con pareti grigie e parquet chiaro
Idee per una grande camera matrimoniale country con pareti grigie e parquet chiaro
Camere da Letto - Foto e idee per arredare
Studio McGee
Idee per una grande camera degli ospiti stile marino con pareti bianche, moquette, nessun camino e pavimento grigio
Wiedemann Architects LLC
© Anice Hoachlander
Esempio di una camera matrimoniale design di medie dimensioni con pareti beige, parquet chiaro, nessun camino e pavimento beige
Esempio di una camera matrimoniale design di medie dimensioni con pareti beige, parquet chiaro, nessun camino e pavimento beige
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