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AéropureAprès aérogommage + rejointoiement + pose d'hydrofuge.
Mise en peinture du chéneau et encadrement de fenêtre
Idee per la facciata di una casa a schiera piccola rossa moderna a due piani con rivestimento in mattoni, tetto a capanna e copertura in tegole
Idee per la facciata di una casa a schiera piccola rossa moderna a due piani con rivestimento in mattoni, tetto a capanna e copertura in tegole
MasterDecks, LLCThis shows the mbrico tile decking and paver system. Mbrico is a
Ispirazione per la villa grande rossa moderna a tre piani con rivestimenti misti
Ispirazione per la villa grande rossa moderna a tre piani con rivestimenti misti
Metro Green, LLCEsempio della facciata di una casa rossa moderna a tre piani di medie dimensioni con rivestimenti misti e tetto a capanna
Kipnis Architecture + PlanningThe exterior cedar sheathing and all of the existing windows were removed and replace with a continuous layer of 2" of foam board insulation.
New windows were installed, with specific Solar Heat Gain Factors selected for each orientation. Marvin Integrity units were used which are clad with pultruded fiberglass on the exterior and wood on the interior, stained to match the existing interior wood trim.
Boral ‘TrueExterior’ jamb extensions and exterior trim, made from waste fly ash from the coal industry, was used to address the thickened exterior sheathing.
New cement fiberboard siding was installed on the majority of the facade, with a section of 8” exposure beveled cedar which ‘wraps’ around the two story massing on a portion of the east, all of the north and a portion of the west façades. This cedar siding was projected out 1” beyond the cement fiberboard and was redwood colored to highlight this element. The 8” beveled material was used in respect of the original cedar that was removed, and was aligned with the bottom of the three horizontally oriented original windows at the 2nd floor. These windows looked out of place with their horizontal orientation and the fact that there was a very large blank wall area below them. The top edge of the new cedar siding provides a ‘ledge’ for these windows to sit on.
Kipnis Architecture + Planning
Amantea ArchitectsRosedale ‘PARK’ is a detached garage and fence structure designed for a residential property in an old Toronto community rich in trees and preserved parkland. Located on a busy corner lot, the owner’s requirements for the project were two fold:
1) They wanted to manage views from passers-by into their private pool and entertainment areas while maintaining a connection to the ‘park-like’ public realm; and
2) They wanted to include a place to park their car that wouldn’t jeopardize the natural character of the property or spoil one’s experience of the place.
The idea was to use the new garage, fence, hard and soft landscaping together with the existing house, pool and two large and ‘protected’ trees to create a setting and a particular sense of place for each of the anticipated activities including lounging by the pool, cooking, dining alfresco and entertaining large groups of friends.
Using wood as the primary building material, the solution was to create a light, airy and luminous envelope around each component of the program that would provide separation without containment. The garage volume and fence structure, framed in structural sawn lumber and a variety of engineered wood products, are wrapped in a dark stained cedar skin that is at once solid and opaque and light and transparent.
The fence, constructed of staggered horizontal wood slats was designed for privacy but also lets light and air pass through. At night, the fence becomes a large light fixture providing an ambient glow for both the private garden as well as the public sidewalk. Thin striations of light wrap around the interior and exterior of the property. The wall of the garage separating the pool area and the parked car is an assembly of wood framed windows clad in the same fence material. When illuminated, this poolside screen transforms from an edge into a nearly transparent lantern, casting a warm glow by the pool. The large overhang gives the area by the by the pool containment and sense of place. It edits out the view of adjacent properties and together with the pool in the immediate foreground frames a view back toward the home’s family room. Using the pool as a source of light and the soffit of the overhang a reflector, the bright and luminous water shimmers and reflects light off the warm cedar plane overhead. All of the peripheral storage within the garage is cantilevered off of the main structure and hovers over native grade to significantly reduce the footprint of the building and minimize the impact on existing tree roots.
The natural character of the neighborhood inspired the extensive use of wood as the projects primary building material. The availability, ease of construction and cost of wood products made it possible to carefully craft this project. In the end, aside from its quiet, modern expression, it is well-detailed, allowing it to be a pragmatic storage box, an elevated roof 'garden', a lantern at night, a threshold and place of occupation poolside for the owners.
Photo: Bryan Groulx
RHJB ArchitectsAluminium cladding. Larch cladding. Level threshold. Large format sliding glass doors. Open plan living.
Idee per la villa rossa moderna a un piano di medie dimensioni con rivestimenti misti, tetto piano, copertura mista, tetto grigio e pannelli e listelle di legno
Idee per la villa rossa moderna a un piano di medie dimensioni con rivestimenti misti, tetto piano, copertura mista, tetto grigio e pannelli e listelle di legno
NineTen ArchitectsIdee per la villa rossa moderna a tre piani di medie dimensioni con rivestimento in mattoni, tetto a capanna, copertura in tegole, tetto rosso e pannelli e listelle di legno
3rd Street Custom HomesImmagine della villa rossa moderna a due piani con rivestimento in metallo e tetto piano
Design 21 Architecture ltdEsempio della villa rossa moderna a tre piani di medie dimensioni con rivestimento in mattoni e tetto a capanna
AAA ArchitectureThe house's northeast facade at dawn. This northeast-facing glass wall frames views of the nearby San Gabriel Mountains. The entry, glazed in obscured glass, sits below.
Photo: Erich Ansel Koyama
Sky Architect StudioA brand new contemporary 3 unit Townhouses.
The front facade classic brick reflects the neighborhood character in the suburb, perfectly blending with concrete white render creating a timeless Architecture exterior.
User雑木林の中の
アプローチを兼ねた駐車場の奥に、
緑に映える赤い家が佇む。
2階の凹んだテラスの白壁と
木の手摺りはアクセント。
前の写真と
比べて頂ければ分かると思いますが、
距離が離れた道路からは赤い外壁も不思議と
青色が加わり紫色〜茶色がかった、
落ち着いた風合いになる。
街並みの中で、シンプルでありながら、
程良い個性が感じられる、愛着が持てる外観。
敷地はＬ型で、建物の左奥には、
プライベートな雑木林の庭となっている。
User赤いガルバリウムの外壁。玄関ポーチ。
Foto della villa rossa moderna a due piani di medie dimensioni con rivestimento in metallo, tetto a capanna e copertura in metallo o lamiera
Foto della villa rossa moderna a due piani di medie dimensioni con rivestimento in metallo, tetto a capanna e copertura in metallo o lamiera
X-space ArchitectsMajor Renovation and Reuse Theme to existing residence
Architect: X-Space Architects
Idee per la villa rossa moderna a un piano di medie dimensioni con rivestimento in mattoni, tetto a capanna, copertura in metallo o lamiera, tetto grigio e pannelli e listelle di legno
Idee per la villa rossa moderna a un piano di medie dimensioni con rivestimento in mattoni, tetto a capanna, copertura in metallo o lamiera, tetto grigio e pannelli e listelle di legno
ZFE RenovationsEsempio della villa grande rossa moderna a due piani con rivestimento in mattoni, tetto a capanna, copertura a scandole e tetto nero
Troin Construction LLCThe photo showcases the stunning results of a recent home renovation project, which includes a new wooden porch addition and landscaping work. The brick exterior of the home provides a solid and classic look, while the new wooden porch adds warmth and character to the front of the home. The white front door provides a crisp and welcoming contrast to the brick and wood elements, drawing the eye and inviting guests into the home.
Sheriff Architecture StudioImmagine della facciata di una casa grande rossa moderna a tre piani con rivestimento in stucco e tetto piano
The Brooklyn StudioThis residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine.
Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home.
The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living.
This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut.
Photography by Kevin Kunstadt
Vetter ArchitectsA tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space.
Crispin Sartwell
Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home.
As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction.
The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside.
The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting.
Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for.
Overview
Oconomowoc, WI
Completion Date
August 2015
Services
Architecture, Interior Design, Landscape Architecture
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