88.035 Foto di scale con pedata in legno e pedata in pietra calcarea
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Cardamon DesignIdee per una scala a "L" costiera con pedata in legno, alzata in legno verniciato, parapetto in legno e decorazioni per pareti
Architecture Saville IsaacsInternal - Floating Staircase
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
FrankFranco Architects Inc.Immagine di una scala a "U" minimalista con pedata in legno, nessuna alzata e parapetto in metallo
Adrien GranchereIspirazione per una scala curva eclettica di medie dimensioni con pedata in legno, alzata in legno e parapetto in materiali misti
Anjie Cho Architect PLLCFoto di una grande scala a "U" minimal con pedata in legno, nessuna alzata e parapetto in cavi
Mur-Sol Builders IncIdee per una scala a "U" minimalista di medie dimensioni con pedata in legno, alzata in legno e parapetto in vetro
Boshaw Residential, LLCIspirazione per una scala a "U" classica con pedata in legno, alzata in legno verniciato e parapetto in legno
Hudson Construction GroupFoto di una grande scala a "L" chic con pedata in legno, alzata in legno verniciato e parapetto in legno
Anne Michaelsen DesignImmagine di una scala a "U" contemporanea di medie dimensioni con pedata in legno, alzata in legno e parapetto in materiali misti
zero ten designEsempio di una scala a rampa dritta rustica con pedata in legno, nessuna alzata e parapetto in metallo
Portland Stair CompanyExample of drywall going right up to back side of treads and risers.
Portland Stair Company
Ispirazione per una scala a "L" minimalista di medie dimensioni con pedata in legno, alzata in legno e parapetto in materiali misti
Ispirazione per una scala a "L" minimalista di medie dimensioni con pedata in legno, alzata in legno e parapetto in materiali misti
UserEsempio di una piccola scala a rampa dritta tradizionale con pedata in legno, alzata in moquette e parapetto in legno
Thos. MoserImmagine di una scala a "U" tradizionale con pedata in legno, alzata in legno verniciato e parapetto in materiali misti
Susan Muschweck Interior Design, LLCEsempio di una scala a "L" tradizionale di medie dimensioni con pedata in legno, alzata in legno verniciato e parapetto in legno
Blue Horse Building & DesignIdee per una grande scala a "U" contemporanea con pedata in legno, nessuna alzata e parapetto in metallo
Big House Little HouseIdee per una grande scala a "U" contemporanea con pedata in legno, alzata in legno e parapetto in legno
HMH Architecture + InteriorsClean and modern staircase
© David Lauer Photography
Ispirazione per una scala sospesa design di medie dimensioni con pedata in legno, nessuna alzata e parapetto in cavi
Ispirazione per una scala sospesa design di medie dimensioni con pedata in legno, nessuna alzata e parapetto in cavi
Interior Concepts, Inc.Idee per una grande scala a "L" design con pedata in legno, nessuna alzata e parapetto in cavi
Pacific Hardwood FlooringImmagine di una scala a "U" tradizionale con pedata in legno, alzata in legno e parapetto in legno
88.035 Foto di scale con pedata in legno e pedata in pietra calcarea
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