Facciate di case nere e arancioni
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HP Home DesignIspirazione per la facciata di una casa nera contemporanea a un piano di medie dimensioni con rivestimento in legno, copertura in metallo o lamiera e tetto nero
UserThis Ketchum cabin retreat is a modern take of the conventional cabin with clean roof lines, large expanses of glass, and tiered living spaces. The board-form concrete exterior, charred cypress wood siding, and steel panels work harmoniously together. The natural elements of the home soften the hard lines, allowing it to submerge into its surroundings.
The Glo A5 triple-pane windows and doors were utilized for their advanced performance capabilities. Year-round comfort is achieved by the thermally-broken aluminum frame, low iron glass, multiple air seals, and argon-filled glazing. Advanced thermal technology was pivotal for the home’s design considering the amount of glazing that is used throughout the home. The windows and multiple 16’ sliding doors are one of the main features of the home’s design, focusing heavily on the beauty of Idaho. The doors also allow easy access to the deck, creating an eagle-eye view of the Valley.
Rusafova Markulis ArchitectsIdee per la villa nera contemporanea a due piani con tetto piano e pannelli sovrapposti
Kelley Design GroupNestled in the trees, dark exterior of the modern homestead with natural wood door, stonework and floor to ceiling glass windows.
Idee per la villa nera country a un piano
Idee per la villa nera country a un piano
Jetton Construction, Inc.Thoughtful design and detailed craft combine to create this timelessly elegant custom home. The contemporary vocabulary and classic gabled roof harmonize with the surrounding neighborhood and natural landscape. Built from the ground up, a two story structure in the front contains the private quarters, while the one story extension in the rear houses the Great Room - kitchen, dining and living - with vaulted ceilings and ample natural light. Large sliding doors open from the Great Room onto a south-facing patio and lawn creating an inviting indoor/outdoor space for family and friends to gather.
Chambers + Chambers Architects
Stone Interiors
Federika Moller Landscape Architecture
Alanna Hale Photography
株式会社小木野貴光アトリエ一級建築士事務所リノベーション
(ウロコ壁が特徴的な自然素材のリノベーション)
土間空間があり、梁の出た小屋組空間ある、住まいです。
株式会社小木野貴光アトリエ一級建築士建築士事務所
https://www.ogino-a.com/
Kirsten Johnstone ArchitectureEsempio della villa nera contemporanea a due piani di medie dimensioni con rivestimento in legno, tetto piano e copertura in metallo o lamiera
Henecka Architekten BDAFoto: Daniel Vieser . Architekturfotografie
Immagine della villa nera moderna a due piani di medie dimensioni con rivestimento in legno, tetto piano e copertura verde
Immagine della villa nera moderna a due piani di medie dimensioni con rivestimento in legno, tetto piano e copertura verde
Patrick Schmitt, designer Inc.Foto della villa grande nera country a due piani con rivestimento in legno, tetto a capanna e copertura mista
MK Building SolutionsThis urban designed home is wrapped with Matt Black Colorbond. This house has several wall finishes varying from texture render, Equitone cladding and bronze powder coated screen feature walls.
Maric Homes & RenovationsIspirazione per la villa nera contemporanea a due piani con rivestimento con lastre in cemento, tetto a capanna e copertura a scandole
Big ChillDesign Credit: @katemarkerinteriors @leocottage
Photographer: @margaretrajic
Immagine della villa nera stile marinaro a un piano con tetto a capanna
Immagine della villa nera stile marinaro a un piano con tetto a capanna
Susan Yeley HomesThis gem of a house was built in the 1950s, when its neighborhood undoubtedly felt remote. The university footprint has expanded in the 70 years since, however, and today this home sits on prime real estate—easy biking and reasonable walking distance to campus.
When it went up for sale in 2017, it was largely unaltered. Our clients purchased it to renovate and resell, and while we all knew we'd need to add square footage to make it profitable, we also wanted to respect the neighborhood and the house’s own history. Swedes have a word that means “just the right amount”: lagom. It is a guiding philosophy for us at SYH, and especially applied in this renovation. Part of the soul of this house was about living in just the right amount of space. Super sizing wasn’t a thing in 1950s America. So, the solution emerged: keep the original rectangle, but add an L off the back.
With no owner to design with and for, SYH created a layout to appeal to the masses. All public spaces are the back of the home--the new addition that extends into the property’s expansive backyard. A den and four smallish bedrooms are atypically located in the front of the house, in the original 1500 square feet. Lagom is behind that choice: conserve space in the rooms where you spend most of your time with your eyes shut. Put money and square footage toward the spaces in which you mostly have your eyes open.
In the studio, we started calling this project the Mullet Ranch—business up front, party in the back. The front has a sleek but quiet effect, mimicking its original low-profile architecture street-side. It’s very Hoosier of us to keep appearances modest, we think. But get around to the back, and surprise! lofted ceilings and walls of windows. Gorgeous.
Tamarack NorthIdee per la villa nera contemporanea a un piano di medie dimensioni con rivestimenti misti, tetto piano e copertura a scandole
Paul Cashin ArchitectsPhotography by Richard Chivers https://www.rchivers.co.uk/
Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century.
The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome.
Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head.
The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles.
Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting.
A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
The Construction Group Montana, LLCSpacious deck for taking in the clean air! Feel like you are in the middle of the wilderness while just outside your front door! Fir and larch decking feels like it was grown from the trees that create your canopy.
Divine Custom HomesSpacecrafting
Immagine della villa nera contemporanea a due piani con rivestimenti misti, tetto a padiglione e copertura a scandole
Immagine della villa nera contemporanea a due piani con rivestimenti misti, tetto a padiglione e copertura a scandole
Ed Hughey, Architect & RealtorIspirazione per la villa piccola nera scandinava a un piano con rivestimento in legno, tetto a capanna e copertura a scandole
Carolina ColortonesRustic Cabin Artist Studio
Western Red Cedar stained with Cabot S/S 'Black'
Interior: Ceiling Spruce 1x6 T&G VGroove (End Match) 1 coat Minwax 'Pickled Oak' with Satin finish.
Facciate di case nere e arancioni
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