Facciate di case grandi multicolore
Filtra anche per:
Budget
Ordina per:Popolari oggi
141 - 160 di 6.782 foto
1 di 3
Gerber HomesImmagine della villa grande multicolore contemporanea a un piano con rivestimenti misti, tetto a capanna e copertura a scandole
Aspect Design BuildImmagine della villa grande multicolore moderna a due piani con rivestimenti misti e tetto a capanna
Amrami Design + BuildPhoto Credit:
Aimée Mazzenga
Ispirazione per la villa grande multicolore contemporanea a due piani con rivestimenti misti, tetto a padiglione e copertura a scandole
Ispirazione per la villa grande multicolore contemporanea a due piani con rivestimenti misti, tetto a padiglione e copertura a scandole
KA DesignWorksIdee per la villa grande multicolore contemporanea a due piani con rivestimento in legno, tetto piano e copertura verde
Epic HomesIspirazione per la villa grande multicolore classica a due piani con rivestimento con lastre in cemento, tetto a capanna e copertura a scandole
DNM ArchitectureThis 1970s vintage residence in Tiburon was ripe for an update. Without changing the house's size or structure, we installed very low-maintenance cement fiber siding, specifically a combination of Nichiha Vintagewood vertical siding and Hardie Plank horizontal siding. This helped to differentiate the shape of the central house from the extensions and to delineate more interesting and cleaner contours. New windows and sliding doors by Fleetwood were also installed. Photography by:
Jonathan Mitchell Photography / jonathanmitchell.co
Goggans Architecture & InteriorsPhotography by Rebecca Lehde
Esempio della facciata di una casa grande multicolore contemporanea a due piani con rivestimenti misti e tetto a padiglione
Esempio della facciata di una casa grande multicolore contemporanea a due piani con rivestimenti misti e tetto a padiglione
studio9 architecture + interiorsIspirazione per la villa grande multicolore contemporanea a un piano con rivestimenti misti e tetto piano
Signature Homes of Colorado, LLCIspirazione per la villa grande multicolore classica a due piani con rivestimenti misti, tetto a padiglione e copertura a scandole
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
David Reid HomesSet within the picturesque eco-subdivision of Ferndale, this single level pavilion style property can double as either a family home or relaxing getaway destination. Encapsulating easy living in a compact, yet well considered floor plan, the home perfects style and functionality. Built with relaxed entertaining in mind, the mix of neutral colour tones, textures and natural materials combine to create a modern, lodge-like feel.
Quarry MillThe Quarry Mill's Tantallon natural thin veneer gives this traditional home color and dimension. Tantallon stone brings shades of gray, tan and gold with lighter hues to your natural stone veneer projects. The various textures of the Tantallon stones will add dimension to your space. This stone is great for large and small projects on homes and landscaping structures. Tantallon stones will look great in a rustic, country setting or a contemporary home with new appliances and electronics. This stone adds an earthy feel to any space.
Swanson HomesLandmark Photography
Ispirazione per la villa grande multicolore moderna a un piano con rivestimenti misti, tetto piano e copertura a scandole
Ispirazione per la villa grande multicolore moderna a un piano con rivestimenti misti, tetto piano e copertura a scandole
Litz Real EstateIdee per la villa grande multicolore mediterranea a due piani con rivestimento in pietra
Glenn Layton HomesGlenn Layton Homes, LLC, "Building Your Coastal Lifestyle"
Jeff Westcott Photography
Ispirazione per la villa grande multicolore stile marinaro a due piani con rivestimenti misti, tetto a padiglione e copertura a scandole
Ispirazione per la villa grande multicolore stile marinaro a due piani con rivestimenti misti, tetto a padiglione e copertura a scandole
kevin akey - azd associates - michiganImmagine della villa grande multicolore moderna a due piani con rivestimenti misti, tetto a padiglione e copertura a scandole
Dawson Design GroupBrady Architectural Photography
Ispirazione per la facciata di una casa grande multicolore contemporanea a due piani con rivestimenti misti e tetto piano
Ispirazione per la facciata di una casa grande multicolore contemporanea a due piani con rivestimenti misti e tetto piano
Parsons Construction IncFoto della villa grande multicolore contemporanea a due piani con rivestimenti misti, tetto piano e copertura verde
Facciate di case grandi multicolore
8