Terrazze con un focolare - Foto e idee
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The Outdoor GreatRoom Company
The Vintage Square Gas Fire Pit Table features a stunning 24x24" Dora Brown burner set inside a distressed wood-look tile top. The base is a distressed cedar that will continue to age and wear as time goes on.
Magleby Construction
Esempio di una grande terrazza rustica dietro casa con un focolare e un tetto a sbalzo
B. Jane Gardens
Ryann Ford
Foto di una piccola terrazza contemporanea dietro casa con un focolare e nessuna copertura
Foto di una piccola terrazza contemporanea dietro casa con un focolare e nessuna copertura
BBA Architects
Nathan Kirkman
Immagine di una terrazza classica di medie dimensioni e dietro casa con un focolare e nessuna copertura
Immagine di una terrazza classica di medie dimensioni e dietro casa con un focolare e nessuna copertura
PITCH Concepts
Chicago Home Photos
Immagine di una grande terrazza minimal sul tetto e sul tetto con un focolare e nessuna copertura
Immagine di una grande terrazza minimal sul tetto e sul tetto con un focolare e nessuna copertura
Seattle Staged to Sell and Design LLC
Immagine di una terrazza nordica di medie dimensioni con un focolare e un tetto a sbalzo
Architecture Saville Isaacs
Courtyard - Sand Pit
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Hays + Ewing Design Studio
Immagine di una grande terrazza moderna dietro casa con un tetto a sbalzo e un focolare
Boyce Design + Build
The deck steps, with built in recessed lighting, span the entire width of the Trex deck and were designed to define the different outdoor rooms and to provide additional seating options when entertaining. Light brown custom cedar screen walls provide privacy along the landscaped terrace and compliment the warm hues of the decking.
Tom Howard Garden Design and Landscaping
Idee per una piccola terrazza design dietro casa con un focolare e nessuna copertura
Harold Leidner Landscape Architects
Idee per una terrazza mediterranea dietro casa con un focolare e una pergola
Vanillawood
On the ground level we installed another indoor/outdoor space with built in TV, custom fire pit and therapeutic swim spa. The addition of a custom cement bar area with refrigerator and blackened steel custom shelving is accessed seamlessly from the family room via a fold-away open corner door system that stacks inside the walls.
Tri-Scapes Landscaping
Traditional Outdoor Structure with masonry gas fireplace & outdoor Kitchen
Esempio di una terrazza tradizionale di medie dimensioni e dietro casa con un focolare
Esempio di una terrazza tradizionale di medie dimensioni e dietro casa con un focolare
National Association of Landscape Professionals
Emily Redfield
Foto di una terrazza contemporanea con un focolare e un tetto a sbalzo
Foto di una terrazza contemporanea con un focolare e un tetto a sbalzo
Timberwood Construction Inc.
Ispirazione per una terrazza minimal di medie dimensioni e dietro casa con un focolare e un parasole
Terrazze con un focolare - Foto e idee
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