Verande contemporanee con pavimento in marmo - Foto e idee per arredare
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Juxtapose DesignsIspirazione per una grande veranda contemporanea con pavimento in marmo, nessun camino, lucernario e pavimento bianco
AB ArchitectsАвторы проекта: Ведран Бркич, Лидия Бркич, Анна Гармаш.
Фотограф: Сергей Красюк
Esempio di una grande veranda contemporanea con soffitto in vetro, pavimento beige e pavimento in marmo
Esempio di una grande veranda contemporanea con soffitto in vetro, pavimento beige e pavimento in marmo
Tuschall Staging, Etc.Esempio di una veranda minimal di medie dimensioni con pavimento in marmo, nessun camino, soffitto classico e pavimento multicolore
L + ArchitectsIspirazione per una veranda contemporanea con pavimento in marmo, nessun camino, soffitto classico e pavimento marrone
Glass Spaces, Extensions and RoomsCreating a light cool area within the garden that can be used all year round.
Natural stone walls to the house are not interrupted by this architecturally designed by glasspace.
This is a perfect example of bring the outside in and blurring the lines between old and new
Maryland SunroomsFoto di un'ampia veranda minimal con pavimento in marmo, nessun camino e soffitto in vetro
KIRKRichard Kirk Architect was one of several architects invited in 2005 to participate in the Elysium development which is an ambitious 189 lot boutique housing sub-division on a site to the west of the centre of Noosa on the Sunshine Coast. Elysium initially adopted architecture as the key driver for the amenity and quality of the environment for the entire development
Our approach was to consider the 6 houses as a family which shared the same materiality, construction and spatial organisation. The purpose of treating the houses as siblings was a deliberate attempt to control the built quality through shared details that would assist in the construction phase which did not involve the architects with the usual level of control and involvement.
Lot 176 is the first of the series and is in effect a prototype using the same materials, construction, and spatial ideas as a shared palette.
The residence on Lot 176 is located on a ridge along the west of the Elysium development with views to the rear into extant landscape and a golf course beyond. The residence occupies the majority of the allowable building envelope and then provides a carved out two story volume in the centre to allow light and ventilation to all interior spaces.
The carved interior volume provides an internal focus visually and functionally. The inside and outside are united by seamless transitions and the consistent use of a restrained palette of materials. Materials are generally timbers left to weather naturally, zinc, and self-finished oxide renders which will improve their appearance with time, allowing the houses to merge with the landscape with an overall desire for applied finishes to be kept to a minimum.
The organisational strategy was delivered by the topography which allowed the garaging of cars to occur below grade with the living spaces on the ground and sleeping spaces placed above. The removal of the garage spaces from the main living level allowed the main living spaces to link visually and physical along the long axis of the rectangular site and allowed the living spaces to be treated as a field of connected spaces and rooms whilst the bedrooms on the next level are conceived as nests floating above.
The building is largely opened on the short access to allow views out of site with the living level utilising sliding screens to opening the interior completely to the exterior. The long axis walls are largely solid and openings are finely screened with vertical timber to blend with the vertical cedar cladding to give the sense of taught solid volume folding over the long sides. On the short axis to the bedroom level the openings are finely screened with horizontal timber members which from within allow exterior views whilst presenting a solid volume albeit with a subtle change in texture. The careful screening allows the opening of the building without compromising security or privacy from the adjacent dwellings.
Photographer: Scott Burrows
Interior Motives Inc & I M Window TreatmentsSun, reading area by kitchen. Design by Tammy Lefever, Interior Motives Accents and Designs Inc.
Esempio di una veranda contemporanea di medie dimensioni con pavimento in marmo
Esempio di una veranda contemporanea di medie dimensioni con pavimento in marmo
Nonjetable architecture d'intérieurRenovation et agrandissement de la cuisine.
Les éclairages d'extérieur de la maison ont aussi été étudiés et installés.
Immagine di una grande veranda minimal con pavimento in marmo, nessun camino, soffitto in vetro e pavimento grigio
Immagine di una grande veranda minimal con pavimento in marmo, nessun camino, soffitto in vetro e pavimento grigio
Juxtapose DesignsFoto di una veranda contemporanea di medie dimensioni con pavimento in marmo, nessun camino, lucernario e pavimento bianco
Domum Africa / bulthaupDesigner Ramón Casadó
Photographer Elsa Young
Foto di una grande veranda design con pavimento in marmo, pavimento grigio e soffitto in vetro
Foto di una grande veranda design con pavimento in marmo, pavimento grigio e soffitto in vetro
Marmiro Stones, IncThe bright sunroom gets a pop of color from the Deep Blue® tiled floor.
Foto di una grande veranda minimal con pavimento in marmo, lucernario e pavimento blu
Foto di una grande veranda minimal con pavimento in marmo, lucernario e pavimento blu
Tuschall Staging, Etc.Ispirazione per una veranda design di medie dimensioni con pavimento in marmo, nessun camino, soffitto classico e pavimento multicolore
Will WrightWill Wright
Idee per una grande veranda minimal con pavimento in marmo e soffitto classico
Idee per una grande veranda minimal con pavimento in marmo e soffitto classico
level-akPhotography: Matthew Mallet
Idee per una veranda minimal con pavimento in marmo, lucernario e pavimento beige
Idee per una veranda minimal con pavimento in marmo, lucernario e pavimento beige
KIRKRichard Kirk Architect was one of several architects invited in 2005 to participate in the Elysium development which is an ambitious 189 lot boutique housing sub-division on a site to the west of the centre of Noosa on the Sunshine Coast. Elysium initially adopted architecture as the key driver for the amenity and quality of the environment for the entire development
Our approach was to consider the 6 houses as a family which shared the same materiality, construction and spatial organisation. The purpose of treating the houses as siblings was a deliberate attempt to control the built quality through shared details that would assist in the construction phase which did not involve the architects with the usual level of control and involvement.
Lot 176 is the first of the series and is in effect a prototype using the same materials, construction, and spatial ideas as a shared palette.
The residence on Lot 176 is located on a ridge along the west of the Elysium development with views to the rear into extant landscape and a golf course beyond. The residence occupies the majority of the allowable building envelope and then provides a carved out two story volume in the centre to allow light and ventilation to all interior spaces.
The carved interior volume provides an internal focus visually and functionally. The inside and outside are united by seamless transitions and the consistent use of a restrained palette of materials. Materials are generally timbers left to weather naturally, zinc, and self-finished oxide renders which will improve their appearance with time, allowing the houses to merge with the landscape with an overall desire for applied finishes to be kept to a minimum.
The organisational strategy was delivered by the topography which allowed the garaging of cars to occur below grade with the living spaces on the ground and sleeping spaces placed above. The removal of the garage spaces from the main living level allowed the main living spaces to link visually and physical along the long axis of the rectangular site and allowed the living spaces to be treated as a field of connected spaces and rooms whilst the bedrooms on the next level are conceived as nests floating above.
The building is largely opened on the short access to allow views out of site with the living level utilising sliding screens to opening the interior completely to the exterior. The long axis walls are largely solid and openings are finely screened with vertical timber to blend with the vertical cedar cladding to give the sense of taught solid volume folding over the long sides. On the short axis to the bedroom level the openings are finely screened with horizontal timber members which from within allow exterior views whilst presenting a solid volume albeit with a subtle change in texture. The careful screening allows the opening of the building without compromising security or privacy from the adjacent dwellings.
Photographer: Scott Burrows
Tuschall Staging, Etc.Foto di una veranda design di medie dimensioni con pavimento in marmo, nessun camino, soffitto classico e pavimento multicolore
officineMAMAEmiliano Vincenti ph
Ispirazione per una piccola veranda design con pavimento in marmo, soffitto classico e pavimento grigio
Ispirazione per una piccola veranda design con pavimento in marmo, soffitto classico e pavimento grigio
Parramon + Tahull arquitectesEsempio di una veranda contemporanea di medie dimensioni con pavimento in marmo, soffitto classico e pavimento bianco
Verande contemporanee con pavimento in marmo - Foto e idee per arredare
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