Verande con pavimento in compensato e pavimento in marmo - Foto e idee per arredare
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Atlanta Curb AppealSunroom in East Cobb Modern Home.
Interior design credit: Design & Curations
Photo by Elizabeth Lauren Granger Photography
Immagine di una veranda chic di medie dimensioni con pavimento in marmo, soffitto classico e pavimento bianco
Immagine di una veranda chic di medie dimensioni con pavimento in marmo, soffitto classico e pavimento bianco
Doski Building & RemodelingImmagine di una veranda classica di medie dimensioni con pavimento in marmo, nessun camino, soffitto classico e pavimento marrone
Peter Zimmerman ArchitectsTom Crane
Foto di una grande veranda classica con soffitto classico, pavimento in marmo, nessun camino e pavimento grigio
Foto di una grande veranda classica con soffitto classico, pavimento in marmo, nessun camino e pavimento grigio
The Interior EdgeSun and Garden Room Aurbach Mansion Showhouse:
This room was restored for a showhouse. We had hand painted murals done for the walls by Bill Riley. They depict walking on paths in a wondrous sculpture garden with flowers lining your every step. The molding was added at the top to make the room feel more intimate, then painted champagne metallic and Ralph Lauren midnight blue above that. The floors are verde marble. The ottoman is Mackenzie Childs. Antique pillows from The Martin Group.
Photography: Robert Benson Photography, Hartford, Ct.
Fritz Carpentry & Contracting, LLCIspirazione per una veranda tradizionale di medie dimensioni con pavimento in marmo, soffitto classico e pavimento multicolore
Frasier-Martis Architects, P.C.Idee per una grande veranda tradizionale con pavimento in marmo, nessun camino e soffitto in vetro
Tollgard Design GroupEsempio di una veranda chic di medie dimensioni con pavimento in marmo, lucernario e pavimento beige
Hawaii DoorsIdee per una veranda classica di medie dimensioni con pavimento in marmo, nessun camino, soffitto classico e pavimento beige
Beckwith GroupThis rustically finished three-season porch features a stone fireplace and views high into the wooded acres beyond and with two doors open to the great room beyond, this relatively small residence can become a great space for entertaining a large amount of people.
Photo Credit: David A. Beckwith
Emily Kandel DesignIdee per una veranda chic di medie dimensioni con nessun camino, soffitto classico e pavimento in marmo
UserThis 18c venetian mirror is flanked by a pair of 19c american bronze sconces.
Foto di una veranda chic di medie dimensioni con pavimento in marmo, nessun camino e soffitto classico
Foto di una veranda chic di medie dimensioni con pavimento in marmo, nessun camino e soffitto classico
Glass Spaces, Extensions and RoomsCreating a light cool area within the garden that can be used all year round.
Natural stone walls to the house are not interrupted by this architecturally designed by glasspace.
This is a perfect example of bring the outside in and blurring the lines between old and new
Doski Building & RemodelingImmagine di una veranda classica di medie dimensioni con pavimento in marmo, nessun camino, soffitto classico e pavimento marrone
株式会社空間構成庭に増築したテラスのような空間。床はフローリングの部分と陶芸を楽しめるタイルの床に張り分けてあります。陶芸の機械は隠し台ワゴンで覆い、普段は多目的に使う。4ｍの無垢のカウンターは仕事をしたり、本を読んだり、おしゃべりをしたりと心地よい空間を作っている。
Ispirazione per una piccola veranda stile americano con pavimento in compensato, nessun camino, lucernario e pavimento beige
Ispirazione per una piccola veranda stile americano con pavimento in compensato, nessun camino, lucernario e pavimento beige
Demeure DesignCharming contemporary conservatory in modern family residence in Marrakech, Morocco.
Foto di una veranda moderna di medie dimensioni con pavimento in marmo, soffitto classico e pavimento grigio
Foto di una veranda moderna di medie dimensioni con pavimento in marmo, soffitto classico e pavimento grigio
KIRKRichard Kirk Architect was one of several architects invited in 2005 to participate in the Elysium development which is an ambitious 189 lot boutique housing sub-division on a site to the west of the centre of Noosa on the Sunshine Coast. Elysium initially adopted architecture as the key driver for the amenity and quality of the environment for the entire development
Our approach was to consider the 6 houses as a family which shared the same materiality, construction and spatial organisation. The purpose of treating the houses as siblings was a deliberate attempt to control the built quality through shared details that would assist in the construction phase which did not involve the architects with the usual level of control and involvement.
Lot 176 is the first of the series and is in effect a prototype using the same materials, construction, and spatial ideas as a shared palette.
The residence on Lot 176 is located on a ridge along the west of the Elysium development with views to the rear into extant landscape and a golf course beyond. The residence occupies the majority of the allowable building envelope and then provides a carved out two story volume in the centre to allow light and ventilation to all interior spaces.
The carved interior volume provides an internal focus visually and functionally. The inside and outside are united by seamless transitions and the consistent use of a restrained palette of materials. Materials are generally timbers left to weather naturally, zinc, and self-finished oxide renders which will improve their appearance with time, allowing the houses to merge with the landscape with an overall desire for applied finishes to be kept to a minimum.
The organisational strategy was delivered by the topography which allowed the garaging of cars to occur below grade with the living spaces on the ground and sleeping spaces placed above. The removal of the garage spaces from the main living level allowed the main living spaces to link visually and physical along the long axis of the rectangular site and allowed the living spaces to be treated as a field of connected spaces and rooms whilst the bedrooms on the next level are conceived as nests floating above.
The building is largely opened on the short access to allow views out of site with the living level utilising sliding screens to opening the interior completely to the exterior. The long axis walls are largely solid and openings are finely screened with vertical timber to blend with the vertical cedar cladding to give the sense of taught solid volume folding over the long sides. On the short axis to the bedroom level the openings are finely screened with horizontal timber members which from within allow exterior views whilst presenting a solid volume albeit with a subtle change in texture. The careful screening allows the opening of the building without compromising security or privacy from the adjacent dwellings.
Photographer: Scott Burrows
Maryland SunroomsFoto di un'ampia veranda minimal con pavimento in marmo, nessun camino e soffitto in vetro
The Interior EdgeGarden Room off the Promenade at Aurbach Mansion:
This room was restored for a showhouse. We had hand painted murals done for the walls by William "Bill" Riley (rileycreative1@mac.com). They depict English gardens and walking paths with beautiful sculptures throughout the flower garden. The built-in fountain is originally built in 1911, we restored it to working condition. The height of the ceiling was visually dropped by wrapping the ceiling and walls in Ralph Lauren midnight blue paint, using the champagne metallic molding to accent the intimate feel. Namnoun's (Hartford, Ct.) oriental rug warms the verde marble flooring. The Mackenzie Childs ottoman provides a bright pop of color that perfectly ties in the promenade lined in red roses. The accent chair is from Decorative Crafts. The original radiator covers finished in champagne metallic with black granite seat tops create the connection between Old World New England and this beautifully appointed 21st Century sun room. It is a lovely four season retreat.
Verande con pavimento in compensato e pavimento in marmo - Foto e idee per arredare
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