- Scale
7.296 Foto di scale sospese
Foto di una grande scala sospesa minimalista con pedata in legno e nessuna alzata
Lo stile semplice ma essenziale della scala - webuser_955084110
Esempio di una scala sospesa contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
scala per casa con tetto molto alto - webuser_402336277
Ristrutturazione attico sito a Milano.
Lo studio punta a unire sensazioni contrastanti come l’utilizzo di materiali caldi e freddi e cerca di creare una finestra sulla Milano del dopo guerra attraverso percorsi verticali.
Per michele - webuser_704895102
Foto di una piccola scala sospesa contemporanea con pedata in metallo, alzata in metallo e parapetto in metallo
Scala (vedi anche altra x soppalco) - spessaland
Appartamento su due livelli sito all’ultimo piano nel centro di Milano completamente ristrutturato con il servizio Full Service.
Idee per una scala sospesa contemporanea con nessuna alzata e parapetto in vetro
Ispirazione per una scala sospesa nordica con pedata in legno e nessuna alzata
tavolo e lampadari - federica_pezzulich
Esempio di una scala sospesa design con pedata in legno, nessuna alzata e parapetto in cavi
Internal - Floating Staircase
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Gorgeous stairway By 2id Interiors
Idee per una grande scala sospesa design con pedata in legno, alzata in vetro e parapetto in metallo
Basement Stairway
Esempio di una scala sospesa classica di medie dimensioni con pedata in moquette, alzata in moquette e parapetto in legno
Kerri Fukkai
Idee per una scala sospesa moderna con pedata in legno, nessuna alzata e parapetto in cavi
Tavolo e sgabelli - webuser_255037452
Olivier Calvez
Foto di una scala sospesa contemporanea di medie dimensioni con pedata in legno e nessuna alzata
La forma della scala - ornellams64
Ken Gutmaker Architectural Photography
Idee per una grande scala sospesa contemporanea con pedata in legno, alzata in legno e parapetto in vetro
Scala vetro6 - verdesilvia
Idee per una grande scala sospesa minimal con pedata in legno, nessuna alzata e parapetto in vetro
Design: Mark Lind
Project Management: Jon Strain
Photography: Paul Finkel, 2012
Immagine di una grande scala sospesa contemporanea con pedata in legno, nessuna alzata e parapetto in materiali misti
cucina dietro la scala - salvo_dimare
Immagine di una scala sospesa minimal con pedata in legno, nessuna alzata e parapetto in vetro
Design: INC Architecture & Design
Photography: Annie Schlecter
Foto di una scala sospesa design di medie dimensioni con nessuna alzata, pedata in vetro e parapetto in legno
incassati - luca_graziani_architetto
Immagine di una scala sospesa minimalista di medie dimensioni con pedata in legno e nessuna alzata