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HOP! ArchIl vano scala è una scultura minimalista in cui coesistono ferro, vetro e legno.
La luce lineare esalta il disegno orizzontale delle nicchie della libreria in cartongesso.
Il mobile sottoscala è frutto di un progetto e di una realizzazione sartoriale, che qualificano lo spazio a livello estetico e funzionale, consentendo l'utilizzo di uno spazio altrimenti morto.
Il parapetto in cristallo è una presenza discreta che completa e impreziosisce senza disturbare.
Studio Emma ScolariFoto di una grande scala a "U" minimal con pedata in metallo, alzata in metallo e parapetto in metallo
Tommaso Giunchi ArchitettiVista delle scale in legno di rovere naturale.
Esempio di una scala a rampa dritta design di medie dimensioni con pedata in legno e alzata in legno
Esempio di una scala a rampa dritta design di medie dimensioni con pedata in legno e alzata in legno
Le Gal Marbre & DesignEscalier en matière Quartz Coral clay poli.
Esempio di una scala a rampa dritta tradizionale di medie dimensioni con pedata in pietra calcarea e alzata in pietra calcarea
Esempio di una scala a rampa dritta tradizionale di medie dimensioni con pedata in pietra calcarea e alzata in pietra calcarea
Omar Gutiérrez, ArchitectConverted a tired two-flat into a transitional single family home. The very narrow staircase was converted to an ample, bright u-shape staircase, the first floor and basement were opened for better flow, the existing second floor bedrooms were reconfigured and the existing second floor kitchen was converted to a master bath. A new detached garage was added in the back of the property.
Architecture and photography by Omar Gutiérrez, Architect
YAWN design studio, inc. FL IB 26000604stephen allen photography
Esempio di una grande scala curva classica con pedata in legno e alzata in legno verniciato
Esempio di una grande scala curva classica con pedata in legno e alzata in legno verniciato
Holder Parlette Architecture + LandscapesIdee per una grande scala sospesa minimal con pedata in legno, alzata in legno e parapetto in vetro
UserEsempio di una grande scala a "U" stile marino con pedata in legno, alzata in legno verniciato e parapetto in cavi
Erica Peale DesignModern Farmhouse stairs
Esempio di una grande scala a "U" country con pedata in legno, alzata in legno verniciato e parapetto in materiali misti
Esempio di una grande scala a "U" country con pedata in legno, alzata in legno verniciato e parapetto in materiali misti
Clear Home Designwe took this tired split level NJ home and created an open, modern floor plan complete with transparent stairway railings. we updated the floors to be slate and walnut wood. the end result was a new modern clean interior.
Spaces IncEsempio di una scala a "U" minimalista di medie dimensioni con pedata in moquette e alzata in moquette
Ideal Construction & RemodelingFelicia Evans Photography
Immagine di una grande scala a "U" moderna con pedata in legno, alzata in legno e parapetto in metallo
Immagine di una grande scala a "U" moderna con pedata in legno, alzata in legno e parapetto in metallo
Chapman Design Group, Inc.Mark Hoyle
Idee per una scala a rampa dritta moderna di medie dimensioni con pedata in legno, alzata in legno verniciato e parapetto in cavi
Idee per una scala a rampa dritta moderna di medie dimensioni con pedata in legno, alzata in legno verniciato e parapetto in cavi
AWM Carpentry LLCStairway Wall Molding
Foto di una scala a rampa dritta tradizionale di medie dimensioni con pedata in legno, alzata in legno e parapetto in materiali misti
Foto di una scala a rampa dritta tradizionale di medie dimensioni con pedata in legno, alzata in legno e parapetto in materiali misti
Dylan Barber Building DesignIspirazione per una grande scala a rampa dritta design con pedata in legno, nessuna alzata e parapetto in vetro
Titan Stairs, Utah!Titan Architectural Products, LLC dba Titan Stairs of Utah
Immagine di una scala a rampa dritta classica di medie dimensioni con pedata in moquette e alzata in moquette
Immagine di una scala a rampa dritta classica di medie dimensioni con pedata in moquette e alzata in moquette
Robert Dean ArchitectsOlson Photographic
Immagine di una grande scala curva chic con alzata in legno verniciato, parapetto in metallo e pedata in legno
Immagine di una grande scala curva chic con alzata in legno verniciato, parapetto in metallo e pedata in legno
Architecture Saville IsaacsInternal - Floating Staircase
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Redstart Construction, Inc.Picture Perfect House
Immagine di una grande scala a "L" chic con pedata in legno, alzata in legno e parapetto in legno
Immagine di una grande scala a "L" chic con pedata in legno, alzata in legno e parapetto in legno
Ana Williamson ArchitectPhotographer: Robert Schroeder
Immagine di una grande scala a "L" design con nessuna alzata e pedata in legno
Immagine di una grande scala a "L" design con nessuna alzata e pedata in legno
29.624 Foto di scale
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