2.274 Foto di scale con parapetto in vetro
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ESCALERAS ENESCAENESCA
Immagine di una grande scala a "U" minimal con pedata in marmo, alzata in marmo e parapetto in vetro
Immagine di una grande scala a "U" minimal con pedata in marmo, alzata in marmo e parapetto in vetro
Century Stair CompanyThis design utilizes the available well-lit interior space (complementing the existing architecture aesthetic), a floating mezzanine area surrounded by straight flights composed of 1” hickory treads, a hand-forged metal balustrade system, and a stained wooden handrail to match finished flooring. The balcony/mezzanine area is visually open to the floor space below and above, and it is supported by a concealed structural beam. CSC 1976-2020 © Century Stair Company. ® All Rights Reserved.
Gaetano Hardwood Floors, Inc.David Tosti Photography
Esempio di una grande scala a "L" design con pedata in legno, alzata in vetro e parapetto in vetro
Esempio di una grande scala a "L" design con pedata in legno, alzata in vetro e parapetto in vetro
Wiedemann Architects LLCTo create a more open plan, our solution was to replace the current enclosed stair with an open, glass stair and to create a proper dining space where the third bedroom used to be. This allows the light from the large living room windows to cascade down the length of the apartment brightening the front entry. The Venetian plaster wall anchors the new stair case and LED lights illuminate each glass tread.
Photography: Anice Hoachlander, Hopachlander Davis Photography
Springhouse Architects, LLCKelly Ann Photos
Foto di una scala a "U" moderna di medie dimensioni con pedata in legno, nessuna alzata e parapetto in vetro
Foto di una scala a "U" moderna di medie dimensioni con pedata in legno, nessuna alzata e parapetto in vetro
Streamline DevelopmentIspirazione per una scala a "U" minimal di medie dimensioni con pedata piastrellata, alzata piastrellata e parapetto in vetro
Architecture Saville IsaacsInternal - Floating Staircase
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Stratos FormPhotography by Aidin Mariscal
Ispirazione per una scala a "U" moderna di medie dimensioni con pedata in legno, alzata in legno e parapetto in vetro
Ispirazione per una scala a "U" moderna di medie dimensioni con pedata in legno, alzata in legno e parapetto in vetro
Sebastian Eilert ArchitectureThe central split stair separates the foyer and dining area from the living and kitchen space. The stair splits access into the primary/master suite to the right and 3 bedroom and laundry room to the left.
The dramatic glass railing allows for a light and open feeling in the entire.
Tascone DesignIdee per una grande scala a "L" moderna con pedata piastrellata, alzata piastrellata e parapetto in vetro
Zetterberg Gregory DesignIdee per una grande scala a "U" contemporanea con pedata in legno, alzata in legno e parapetto in vetro
Fabricamus Architettura e IngegneriaFotografie: Alex Farinelli
Foto di una scala a rampa dritta minimal di medie dimensioni con pedata piastrellata, alzata piastrellata e parapetto in vetro
Foto di una scala a rampa dritta minimal di medie dimensioni con pedata piastrellata, alzata piastrellata e parapetto in vetro
Virtual Studio InnovationsIdee per una grande scala a "U" moderna con pedata in legno, alzata in vetro e parapetto in vetro
ULFBUILTA modern straight run stairway with a seamless glass railing and dark to light wood risers and treads. It's a sophisticated staircase for this modern house!
Built by ULFBUILT. Putting together the details to build dream homes is our specialty. This is done through attention to detail, execution, and a focus on our client’s wants and needs. Contact us today to learn more.
Designed by ImanWe opened up the space by creating a open tread staircase in this Toronto loft. We wanted to keep the touch of glam so went with a custom satin brass detail on the staircase. We finished the room off with soft sheers, gold details, and a black and white gallery wall.
Robyn Huether Architect Inc.Foto di una grande scala a "U" minimal con pedata in legno, nessuna alzata e parapetto in vetro
Design Build - CaliforniaFoto di una scala a rampa dritta minimalista di medie dimensioni con pedata in legno, alzata in legno verniciato e parapetto in vetro
markiewicz GmbHWarschau ist im stetigen architektonischen Wandel. Von gotischen Kirchen über klassizistische Paläste bis zu Häuserblocks aus der Sowjetzeit verfügt die polnische Hauptstadt auch über eine Wangentreppe aus geöltem Eichenholz von markiewicz. Dabei sticht die gebogene Glasbrüstung besonders hervor und verleiht der Treppe ihre puristische Ästhetik. Es ist diese Fusion aus moderner Interpretation und schlichter Eleganz, die die heutige Handwerkskunst auszeichnet.
MAKHNO studioEsempio di una scala a "U" etnica di medie dimensioni con pedata in legno, alzata in legno e parapetto in vetro
Covemade.Wide board engineered timber flooring in split level home.
Brass insert nosing with shadow line detail.
Idee per un'ampia scala minimal con pedata in legno, alzata in legno e parapetto in vetro
Idee per un'ampia scala minimal con pedata in legno, alzata in legno e parapetto in vetro
2.274 Foto di scale con parapetto in vetro
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