- Scale
6.849 Foto di scale con parapetto in vetro
Esempio di una grande scala a "L" minimal con pedata in legno, alzata in legno e parapetto in vetro
scala con faretti - webuser_616099904
Esempio di una scala sospesa contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
scala per casa con tetto molto alto - webuser_402336277
Idee per una scala a "L" moderna con parapetto in vetro
Scala in corridoio - webuser_504558986
Il vano scala è una scultura minimalista in cui coesistono ferro, vetro e legno.
La luce lineare esalta il disegno orizzontale delle nicchie della libreria in cartongesso.
Il mobile sottoscala è frutto di un progetto e di una realizzazione sartoriale, che qualificano lo spazio a livello estetico e funzionale, consentendo l'utilizzo di uno spazio altrimenti morto.
Il parapetto in cristallo è una presenza discreta che completa e impreziosisce senza disturbare.
Appartamento su due livelli sito all’ultimo piano nel centro di Milano completamente ristrutturato con il servizio Full Service.
Idee per una scala sospesa contemporanea con nessuna alzata e parapetto in vetro
Immagine di una scala a "L" design di medie dimensioni con pedata in cemento, alzata in cemento e parapetto in vetro
scala stilizzata, colore in contrasto, vetro e libreria laterale - webuser_410708796
Ispirazione per una scala curva design con pedata in legno, alzata in legno e parapetto in vetro
il legno dei gradini con ringhiera in vetro - webuser_155909849
Foto di una scala a "U" mediterranea con pedata in legno, alzata in legno e parapetto in vetro
Corrimano legno - pippopollina
Internal - Floating Staircase
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Photos by Aidin Mariscal
Idee per una piccola scala a "U" moderna con pedata in moquette, alzata in moquette e parapetto in vetro
Foto di una grande scala a "L" contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Foto di una scala a "U" contemporanea con pedata in legno, alzata in legno e parapetto in vetro
Fotograf: Peter van Bohemen
Ispirazione per una scala a rampa dritta contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Scala
Pavimento
Lampadari - webuser_659210897
Lindsay Raymondjack
Foto di una scala contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Ken Gutmaker Architectural Photography
Idee per una grande scala sospesa contemporanea con pedata in legno, alzata in legno e parapetto in vetro
Scala vetro6 - verdesilvia
Esempio di una scala a "L" classica con pedata in legno, parapetto in vetro e alzata piastrellata
scale - roby_p
Immagine di una scala a "L" minimal con pedata in legno, alzata in legno e parapetto in vetro
corrimano e raccordo tra due livelli in angolo - davidedavide
Idee per una scala a "U" minimalista di medie dimensioni con pedata in legno, alzata in legno e parapetto in vetro