8.118 Foto di scale con parapetto in vetro
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domECOCASA AF | AF HOUSE
Open space ingresso, scale che portano alla terrazza con nicchia per statua
Open space: entrance, wooden stairs leading to the terrace with statue niche
HOP! ArchIl vano scala è una scultura minimalista in cui coesistono ferro, vetro e legno.
La luce lineare esalta il disegno orizzontale delle nicchie della libreria in cartongesso.
Il mobile sottoscala è frutto di un progetto e di una realizzazione sartoriale, che qualificano lo spazio a livello estetico e funzionale, consentendo l'utilizzo di uno spazio altrimenti morto.
Il parapetto in cristallo è una presenza discreta che completa e impreziosisce senza disturbare.
Synthesis Design Inc.The distinctive triangular shaped design of the Bayridge Residence was driven by the difficult steep sloped site, restrictive municipal bylaws and environmental setbacks. The design concept was to create a dramatic house built into the slope that presented as a single story on the street, while opening up to the view on the slope side.
MacLean Architecture + DesignEsempio di una scala sospesa design con pedata in legno e parapetto in vetro
Giulietti Schouten Weber ArchitectsIdee per una grande scala sospesa minimal con pedata in legno, nessuna alzata e parapetto in vetro
Architecture Saville IsaacsInternal - Floating Staircase
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
JMB Modular BuildingsIspirazione per una scala industriale con pedata in metallo, alzata in metallo e parapetto in vetro
Signature Innovations LLCAlways at the forefront of style, this Chicago Gold Coast home is no exception. Crisp lines accentuate the bold use of light and dark hues. The white cerused grey toned wood floor fortifies the contemporary impression. Floor: 7” wide-plank Vintage French Oak | Rustic Character | DutchHaus® Collection smooth surface | nano-beveled edge | color Rock | Matte Hardwax Oil. For more information please email us at: sales@signaturehardwoods.com
Duet Design GroupA contemporary mountain home: Staircase with Custom Artwork, Photo by Eric Lucero Photography
Immagine di una grande scala sospesa contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Immagine di una grande scala sospesa contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Euroline Steel WindowsImmagine di una scala a "L" minimal con pedata in legno, nessuna alzata e parapetto in vetro
RELM development&designIdee per una scala a "L" contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
The Site ForemanA glass handrail and an open tread stair, combined with large areas of glass, ensure a large amount of light brightens the interior within a style of home traditionally notable for its dark interior spaces.
A Creative Storefront & MirrorThis landing area is made up of 1/2" clear tempered glass. The glass gives structural support to the hand railing that wraps these staircases. Stand-offs, handrail brackets and white oak hand railing top of this installation.
Esempio di una scala a rampa dritta chic con pedata in legno, alzata in legno verniciato e parapetto in vetro
StylingbolagetEsempio di una scala a rampa dritta scandinava con pedata in legno, alzata in legno e parapetto in vetro
Williams ConstructionNew staircase links the original art deco main floor to the new modern ground floor.
Idee per una scala a "U" minimalista di medie dimensioni con pedata in legno, alzata in legno e parapetto in vetro
Idee per una scala a "U" minimalista di medie dimensioni con pedata in legno, alzata in legno e parapetto in vetro
Choeff Levy Fischman, P.A.Idee per una grande scala sospesa minimalista con pedata in legno, nessuna alzata e parapetto in vetro
Beaver Stair Co.Esempio di una grande scala sospesa contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Maurizio EspositoMaurizio Esposito
Esempio di una grande scala a "L" contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Esempio di una grande scala a "L" contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
8.118 Foto di scale con parapetto in vetro
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