2.572 Foto di scale con nessuna alzata e parapetto in vetro
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markiewicz GmbHWarschau ist im stetigen architektonischen Wandel. Von gotischen Kirchen über klassizistische Paläste bis zu Häuserblocks aus der Sowjetzeit verfügt die polnische Hauptstadt auch über eine Wangentreppe aus geöltem Eichenholz von markiewicz. Dabei sticht die gebogene Glasbrüstung besonders hervor und verleiht der Treppe ihre puristische Ästhetik. Es ist diese Fusion aus moderner Interpretation und schlichter Eleganz, die die heutige Handwerkskunst auszeichnet.
Architecture Saville IsaacsInternal - Floating Staircase
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Amanda Martocchio ArchitectureWhen a world class sailing champion approached us to design a Newport home for his family, with lodging for his sailing crew, we set out to create a clean, light-filled modern home that would integrate with the natural surroundings of the waterfront property, and respect the character of the historic district.
Our approach was to make the marine landscape an integral feature throughout the home. One hundred eighty degree views of the ocean from the top floors are the result of the pinwheel massing. The home is designed as an extension of the curvilinear approach to the property through the woods and reflects the gentle undulating waterline of the adjacent saltwater marsh. Floodplain regulations dictated that the primary occupied spaces be located significantly above grade; accordingly, we designed the first and second floors on a stone “plinth” above a walk-out basement with ample storage for sailing equipment. The curved stone base slopes to grade and houses the shallow entry stair, while the same stone clads the interior’s vertical core to the roof, along which the wood, glass and stainless steel stair ascends to the upper level.
One critical programmatic requirement was enough sleeping space for the sailing crew, and informal party spaces for the end of race-day gatherings. The private master suite is situated on one side of the public central volume, giving the homeowners views of approaching visitors. A “bedroom bar,” designed to accommodate a full house of guests, emerges from the other side of the central volume, and serves as a backdrop for the infinity pool and the cove beyond.
Also essential to the design process was ecological sensitivity and stewardship. The wetlands of the adjacent saltwater marsh were designed to be restored; an extensive geo-thermal heating and cooling system was implemented; low carbon footprint materials and permeable surfaces were used where possible. Native and non-invasive plant species were utilized in the landscape. The abundance of windows and glass railings maximize views of the landscape, and, in deference to the adjacent bird sanctuary, bird-friendly glazing was used throughout.
Photo: Michael Moran/OTTO Photography
Jeri Koegel PhotographyJeri Koegel
Ispirazione per una scala a "U" contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Ispirazione per una scala a "U" contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Sven Lavine ArchitectureIspirazione per una grande scala a rampa dritta con pedata in legno, nessuna alzata e parapetto in vetro
designs by human.Foto di una grande scala sospesa contemporanea con pedata in vetro, nessuna alzata e parapetto in vetro
Мастерская интерьерного дизайна «TATAROVA.PRO»Ispirazione per una scala a "U" minimal con pedata in legno, nessuna alzata e parapetto in vetro
Summerwell HomesIdee per una scala a "U" design con pedata in legno, nessuna alzata e parapetto in vetro
The Decorators UnlimitedThis contemporary home in Naples, FL incorporates beautiful natural textures and stones. The palette creates a warm and inviting space to relax and recline!
NWC ConstructionBuilt by NWC Construction
Ryan Gamma Photography
Idee per un'ampia scala sospesa contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Idee per un'ampia scala sospesa contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Two Fold Interiorswww.veronicamartindesignstudio.com
Photo credit: Scott Norsworthy
Foto di una grande scala a "U" design con pedata in legno, nessuna alzata e parapetto in vetro
Foto di una grande scala a "U" design con pedata in legno, nessuna alzata e parapetto in vetro
Lapis Design PartnersEntry hall with metal and wood staircase to third floor. Glass railings provide an opening feeling between floors. Lyptus is used for the flooring and african mahogany for the walls.
Photographer: Clark Dugger
Site Lines Architecture Inc.Photos : Crocodile Creative
Builder/Developer : Quiniscoe Homes
Ispirazione per una grande scala a "U" minimal con pedata in legno, nessuna alzata e parapetto in vetro
Ispirazione per una grande scala a "U" minimal con pedata in legno, nessuna alzata e parapetto in vetro
Moon Bros IncFloating stairway in Modern North Georgia home
Photograhpy by Galina Coada
Immagine di una scala sospesa stile rurale con nessuna alzata e parapetto in vetro
Immagine di una scala sospesa stile rurale con nessuna alzata e parapetto in vetro
Avid Interior Design Inc.New build dreams always require a clear design vision and this 3,650 sf home exemplifies that. Our clients desired a stylish, modern aesthetic with timeless elements to create balance throughout their home. With our clients intention in mind, we achieved an open concept floor plan complimented by an eye-catching open riser staircase. Custom designed features are showcased throughout, combined with glass and stone elements, subtle wood tones, and hand selected finishes.
The entire home was designed with purpose and styled with carefully curated furnishings and decor that ties these complimenting elements together to achieve the end goal. At Avid Interior Design, our goal is to always take a highly conscious, detailed approach with our clients. With that focus for our Altadore project, we were able to create the desirable balance between timeless and modern, to make one more dream come true.
The Holland CompaniesFoto di una scala a "U" contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Maytree StudiosLooking towards the daybed and at the large window wall which acts as a light well for the stair.
Ispirazione per una scala a "L" design di medie dimensioni con pedata in legno, parapetto in vetro e nessuna alzata
Ispirazione per una scala a "L" design di medie dimensioni con pedata in legno, parapetto in vetro e nessuna alzata
Amanda Martocchio ArchitectureWhen a world class sailing champion approached us to design a Newport home for his family, with lodging for his sailing crew, we set out to create a clean, light-filled modern home that would integrate with the natural surroundings of the waterfront property, and respect the character of the historic district.
Our approach was to make the marine landscape an integral feature throughout the home. One hundred eighty degree views of the ocean from the top floors are the result of the pinwheel massing. The home is designed as an extension of the curvilinear approach to the property through the woods and reflects the gentle undulating waterline of the adjacent saltwater marsh. Floodplain regulations dictated that the primary occupied spaces be located significantly above grade; accordingly, we designed the first and second floors on a stone “plinth” above a walk-out basement with ample storage for sailing equipment. The curved stone base slopes to grade and houses the shallow entry stair, while the same stone clads the interior’s vertical core to the roof, along which the wood, glass and stainless steel stair ascends to the upper level.
One critical programmatic requirement was enough sleeping space for the sailing crew, and informal party spaces for the end of race-day gatherings. The private master suite is situated on one side of the public central volume, giving the homeowners views of approaching visitors. A “bedroom bar,” designed to accommodate a full house of guests, emerges from the other side of the central volume, and serves as a backdrop for the infinity pool and the cove beyond.
Also essential to the design process was ecological sensitivity and stewardship. The wetlands of the adjacent saltwater marsh were designed to be restored; an extensive geo-thermal heating and cooling system was implemented; low carbon footprint materials and permeable surfaces were used where possible. Native and non-invasive plant species were utilized in the landscape. The abundance of windows and glass railings maximize views of the landscape, and, in deference to the adjacent bird sanctuary, bird-friendly glazing was used throughout.
Photo: Michael Moran/OTTO Photography
ALTER URBAN DESIGN COLLABORATIVERAS Photography, Rachel Sale
Idee per una scala a "U" design con pedata in legno, nessuna alzata e parapetto in vetro
Idee per una scala a "U" design con pedata in legno, nessuna alzata e parapetto in vetro
2.572 Foto di scale con nessuna alzata e parapetto in vetro
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