19.944 Foto di scale con nessuna alzata e alzata in travertino
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TOTAL CONCEPTSlibrary and reading area build into and under stairway.
Esempio di una scala a "U" country con pedata in legno e nessuna alzata
Esempio di una scala a "U" country con pedata in legno e nessuna alzata
Art of Design, Jennifer CopelandKristian Walker
Immagine di una grande scala sospesa minimal con pedata in legno e nessuna alzata
Immagine di una grande scala sospesa minimal con pedata in legno e nessuna alzata
Giulietti Schouten Weber ArchitectsIdee per una grande scala sospesa minimal con pedata in legno, nessuna alzata e parapetto in vetro
Urban RestorationFoto di un'ampia scala a "U" minimal con pedata in legno, nessuna alzata e parapetto in metallo
Anjie Cho Architect PLLCFoto di una scala sospesa contemporanea di medie dimensioni con pedata in legno, nessuna alzata e parapetto in cavi
Josh Wynne ConstructionRyan Gamma
Idee per una grande scala a "U" minimalista con pedata in legno, nessuna alzata e parapetto in materiali misti
Idee per una grande scala a "U" minimalista con pedata in legno, nessuna alzata e parapetto in materiali misti
Eco Outdoor USAArchitecture & Interiors: Studio Esteta
Photography: Sean Fennessy
Located in an enviable position within arm’s reach of a beach pier, the refurbishment of Coastal Beach House references the home’s coastal context and pays homage to it’s mid-century bones. “Our client’s brief sought to rejuvenate the double storey residence, whilst maintaining the existing building footprint”, explains Sarah Cosentino, director of Studio Esteta.
As the orientation of the original dwelling already maximized the coastal aspect, the client engaged Studio Esteta to tailor the spatial arrangement to better accommodate their love for entertaining with minor modifications.
“In response, our design seeks to be in synergy with the mid-century character that presented, emphasizing its stylistic significance to create a light-filled, serene and relaxed interior that feels wholly connected to the adjacent bay”, Sarah explains.
The client’s deep appreciation of the mid-century design aesthetic also called for original details to be preserved or used as reference points in the refurbishment. Items such as the unique wall hooks were repurposed and a light, tactile palette of natural materials was adopted. The neutral backdrop allowed space for the client’s extensive collection of art and ceramics and avoided distracting from the coastal views.
J Christopher ArchitectureIspirazione per una scala a "U" contemporanea con pedata in legno e nessuna alzata
Amanda Martocchio ArchitectureWhen a world class sailing champion approached us to design a Newport home for his family, with lodging for his sailing crew, we set out to create a clean, light-filled modern home that would integrate with the natural surroundings of the waterfront property, and respect the character of the historic district.
Our approach was to make the marine landscape an integral feature throughout the home. One hundred eighty degree views of the ocean from the top floors are the result of the pinwheel massing. The home is designed as an extension of the curvilinear approach to the property through the woods and reflects the gentle undulating waterline of the adjacent saltwater marsh. Floodplain regulations dictated that the primary occupied spaces be located significantly above grade; accordingly, we designed the first and second floors on a stone “plinth” above a walk-out basement with ample storage for sailing equipment. The curved stone base slopes to grade and houses the shallow entry stair, while the same stone clads the interior’s vertical core to the roof, along which the wood, glass and stainless steel stair ascends to the upper level.
One critical programmatic requirement was enough sleeping space for the sailing crew, and informal party spaces for the end of race-day gatherings. The private master suite is situated on one side of the public central volume, giving the homeowners views of approaching visitors. A “bedroom bar,” designed to accommodate a full house of guests, emerges from the other side of the central volume, and serves as a backdrop for the infinity pool and the cove beyond.
Also essential to the design process was ecological sensitivity and stewardship. The wetlands of the adjacent saltwater marsh were designed to be restored; an extensive geo-thermal heating and cooling system was implemented; low carbon footprint materials and permeable surfaces were used where possible. Native and non-invasive plant species were utilized in the landscape. The abundance of windows and glass railings maximize views of the landscape, and, in deference to the adjacent bird sanctuary, bird-friendly glazing was used throughout.
Photo: Michael Moran/OTTO Photography
Richard Padgham Fine Custom HomesGalina Coada Photography
Idee per una scala rustica con pedata in legno e nessuna alzata
Idee per una scala rustica con pedata in legno e nessuna alzata
Poss Architecture + Planning and Interior DesignPat Sudmeier
Foto di una scala a "U" rustica di medie dimensioni con pedata in legno, nessuna alzata e parapetto in materiali misti
Foto di una scala a "U" rustica di medie dimensioni con pedata in legno, nessuna alzata e parapetto in materiali misti
StairworksThis floating staircase was a different style from the usual Stairworks design. The owner wanted us to design, fabricate and install the steel and the treads, so our in-house staircase designer drew everything out. Because the owner has strong ties to China, he had everything sent away in order for the treads to be manufactured there. What made this tricky was that there wasn’t any extra material so we had to be very careful with our quantities when we were finishing the floating staircase build.
The treads have LED light strips underneath as well as a high polish, which give it a beautiful finish. The only challenge is that the darker wood and higher polish can sometimes show scratches more easily.
The stairs have a somewhat mid-century modern feel due to the square handrail and the Stairworks exclusive round spindle balustrade. This style of metal balustrade is one of our specialties as the fixing has been developed over the last year closely with our engineer allowing for there to be no fixings shown on the bottom of the tread while still achieving all engineering requirements.
S&A StairsCombining beautiful elements such as Victorian Ash treads with a glass balustrade and contemporary black steel handrail, Jasper Road is both an elegant exponent of craft as well as a bold feature.
TF Staircases LtdNew Oak and White closed string staircase. The first section has white closed risers with tread lighting to create that floating effect but enabling our client to have storage behind it. The top section is open riser with glass sub-risers to allow the natural light to flood through to the hall way from the large window on the half landing.
Demax Staircase&RailingThis gorgeous glass spiral staircase is finished in Washington in 2017. It was a remodel project.
Stair diameter 67"
Stair height : 114"
Esempio di una scala a chiocciola design di medie dimensioni con pedata in vetro, nessuna alzata, parapetto in vetro e pareti in legno
Esempio di una scala a chiocciola design di medie dimensioni con pedata in vetro, nessuna alzata, parapetto in vetro e pareti in legno
Great Lakes Metal FabricationIspirazione per una grande scala a "U" rustica con pedata in legno, nessuna alzata e parapetto in materiali misti
Goodwin Custom HomesEsempio di una scala a "U" moderna di medie dimensioni con pedata in legno, nessuna alzata e parapetto in cavi
Feldman Architecture, Inc.Idee per una scala a "U" moderna con pedata in legno, nessuna alzata e parapetto in materiali misti
Architecture Saville IsaacsInternal - Floating Staircase
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Distinctive DomainFoto di una scala a "U" rustica con pedata in legno, nessuna alzata e parapetto in legno
19.944 Foto di scale con nessuna alzata e alzata in travertino
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