21.770 Foto di scale con nessuna alzata e alzata in cemento
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Tommaso Giunchi ArchitettiIngresso e scala. La scala esistente è stata rivestita in marmo nero marquinia, alla base il mobile del soggiorno abbraccia la scala e arriva a completarsi nel mobile del'ingresso. Pareti verdi e pavimento ingresso in marmo verde alpi.
Nel sotto scala è stata ricavato un armadio guardaroba per l'ingresso.
Sand Dollar CustomsImmagine di una scala a chiocciola stile marinaro di medie dimensioni con pedata in metallo, nessuna alzata e parapetto in metallo
Paragon StairsThis Configurable Aluminum Spiral Stair is code compliant with a wide diameter and code risers.
Esempio di una piccola scala a chiocciola costiera con pedata in metallo e nessuna alzata
Esempio di una piccola scala a chiocciola costiera con pedata in metallo e nessuna alzata
Guy Peterson Office for ArchitectureSteven Brooke Studios | Twitchell and Rudolph
Immagine di una scala moderna con nessuna alzata
Immagine di una scala moderna con nessuna alzata
Architecture Saville IsaacsInternal - Floating Staircase
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Ricken Desai PhotographyRicken Desai Photography
Ispirazione per una scala a "L" contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Ispirazione per una scala a "L" contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
FINNE ArchitectsThe stair has steel structure and laser-cut steel railings. The treads are solid oak. The railing design is based on hand-drawn ink brush lines.
Photo: Benjamin Benschneider
Northworks Architects + PlannersLocated upon a 200-acre farm of rolling terrain in western Wisconsin, this new, single-family sustainable residence implements today’s advanced technology within a historic farm setting. The arrangement of volumes, detailing of forms and selection of materials provide a weekend retreat that reflects the agrarian styles of the surrounding area. Open floor plans and expansive views allow a free-flowing living experience connected to the natural environment.
HAUS | Architecture For Modern LifestylesLower Level build-out includes new 3-level architectural stair with screenwalls that borrow light through the vertical and adjacent spaces - Scandinavian Modern Interior - Indianapolis, IN - Trader's Point - Architect: HAUS | Architecture For Modern Lifestyles - Construction Manager: WERK | Building Modern - Christopher Short + Paul Reynolds - Photo: HAUS | Architecture
Visbeen ArchitectsEsempio di una grande scala a "L" minimal con pedata in legno, nessuna alzata e parapetto in metallo
McSpadden HomesThis beautiful floating stairway is constructed of a custom 16 rise scissor stair featuring 3" thick white oak 1/4 sawn treads. It is an open rise and has a 6x8 center steel stringer for structural support. Did you catch a glimpse of the statement fixtures? How about those beautiful hardwood floors?
Linebox StudioImmagine di una scala a rampa dritta contemporanea di medie dimensioni con pedata in legno, nessuna alzata e parapetto in legno
Besch ArchitectureEsempio di una scala a "U" industriale di medie dimensioni con pedata in legno, nessuna alzata e parapetto in cavi
Jeff King & CompanyMatthew Millman Photography
Foto di una grande scala a rampa dritta contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Foto di una grande scala a rampa dritta contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Tree of Life Stairs, LLCEsempio di una grande scala a "U" con pedata in legno, nessuna alzata e parapetto in metallo
Artisan Builders LLCEsempio di una grande scala a "U" stile rurale con pedata in legno, nessuna alzata e parapetto in metallo
ESTATE PHOTOS L.AFoto di una scala a "U" contemporanea con pedata in legno, nessuna alzata e parapetto in vetro
Michael Fullen Design GroupFoto di una scala sospesa contemporanea con nessuna alzata e parapetto in vetro
Spirit BuildersIdee per una grande scala a "L" classica con pedata in legno, nessuna alzata e parapetto in materiali misti
21.770 Foto di scale con nessuna alzata e alzata in cemento
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